/\/\ /\ Y /\ [Deluxe Edition]

Maya Arulpragasam was born in Hounslow, London England. When she was 6 months old, her family moved back to their homeland, Sri Lanka. At 8 years old, Maya moved back to London, where she and her family were housed as refugees from the civil unrest in their native region. Maya learned proper English at school and slang at home by listening to NWA and Public Enemy on the radio.

In 2000, Maya was encouraged by electro-clash icon Peaches to make music on a Roland MC-505 Groovebox and she pulled lyrics from journals she had written during a 4 month trip to the Caribbean island of St. Vincent to craft her first songs. In 2005, she released Arular, and reached the mainstream charts in Europe and the U.K. It was considered as much a political statement as a musical one, as it referenced the Tamil Tigers.

In 2007, Kala was released. Like Arular, it received unanimous international critical praise. It topped multiple "Best of the Year" lists in publications around the world with its deft mixture of politics, social consciousness, and inimitable genre-blending.

On /\/\ /\ Y /\, M.I.A. continues her musical exploration into new territory including rock, dubstep and more. She is not a typical artist and /\/\ /\ Y /\ pushes the envelope with controversial sounds, lyrics, and imagery. M.I.A is many things -- a visual-artist, musician, revolutionary, and style-icon--and just when you think you have /\/\ /\ Y /\ pegged, it will surprise you.

/\/\ /\ Y /\, features production by Rusko, Blaqstarr, Switch, Diplo, Sugu, John Hill, Derek Miller and M.I.A.

Album Description
Limited deluxed edition. 2010 release, the third album from the global superstar. Songwriting and production for the album were primarily handled by M.I.A. and Blaqstarr. Rusko and Derek E. Miller of Sleigh Bells are among the collaborators on the album, as are M.I.A.'s long-time associates Diplo and Switch. The album was mainly composed and recorded at M.I.A.'s house in Los Angeles. The album's tracks centre on the theme of information politics and are intended to evoke what M.I.A. called a "digital ruckus". Elements of industrial music were incorporated into M.I.A.'s sound for the first time.